Anna Wintour: The Fashion Powerhouse on Style, Responsibility, and Evolution

Anna Wintour, a titan in the fashion universe, discusses the balance of creativity, public perception, and the evolving landscape of fashion in her latest exhibition.

Anna Wintour, the legendary editor-in-chief of Vogue magazine, is synonymous with the fashion industry, having held the position since 1988. As we sit down for an interview in the immersive environment of her exhibition VOGUE: Inventing the Runway, her signature dark glasses remain firmly in place—a cherished prop that the fashion powerhouse says helps her see while also creating a barrier for the world.

Curiously, Wintour describes her trademark sunglasses as both protective and performative. “They help me see and they help me not see,” she explains, hinting at the duality of her public persona. The exhibition at Lightroom, a cutting-edge venue in London, seeks to encapsulate the rich history of fashion shows, blending high-tech visuals and archival treasures from Vogue’s extensive collection.

For those who are regulars at runway shows, the experience can begin to feel routine, she admits. However, for the Exhibition’s visitors, many of whom have never attended such events, the aim is to offer a realistic ambiance of the fashion world. Wintour reflects on the numerous iconic moments she's witnessed, highlighting the punctual nature of certain designers like Gianni Versace, contrasting it with the delays she’s experienced in the past, including a famously late Marc Jacobs show.

The Vogue exhibition, narrated by Cate Blanchett, explores the evolution of fashion with glimpses into the past, showcasing early Vogue covers and historical runway footage. Wintour notes how the fashion realm has matured from a highly exclusive domain to one that invites broader participation. “Now everyone can come to the party, which is as it should be,” she asserts, marking a significant shift in how fashion is perceived today.

Karl Lagerfeld’s imaginative runway shows are a frequent topic of fond reminiscence for Wintour, who expresses admiration for his groundbreaking creativity. With the fashion landscape continuing to shift, she recognizes her role in championing the Met Gala, where fashion intermingles with celebrity culture, turning the event into an annual viral sensation.

The public may often equate Wintour with Miranda Priestly from "The Devil Wears Prada," but she downplays the similarities, focusing instead on her passion for creativity and respect for her craft. “What I’m really interested in is the creative aspect of my job,” she says resolutely.

Despite whispers that “no one says no” to her, Wintour disputes this notion, stating, “They often say no, but that’s a good thing.” Leadership, for her, means nurturing talent and fostering an environment where different perspectives can flourish.

As Vogue continues to evolve, Wintour emphasizes the critical impact of fashion on the global economy, challenging the perception of the industry as merely superficial. At 75, she is adamant about her future at Vogue, insisting, “I have no plans to leave my job.”

The exhibition VOGUE: Inventing the Runway runs at Lightroom, London until April 2025, offering attendees a captivating look at the glorious journey of fashion through the eyes of one of its most formidable icons.