### Kate Nash Claims OnlyFans Earnings Will Surpass Concert Revenue

### Kate Nash opens up about the financial challenges artists face while touring and how she believes her earnings from OnlyFans will top her concert profits, highlighting the industry's devaluation of musicians.

In a candid revelation, singer-songwriter Kate Nash has stated that she anticipates earning more from her OnlyFans subscription service than from her concert tour, a sentiment she shared during a recent interview. Nash, known for her hit song "Foundations," joined the platform to help alleviate the financial strain that many artists experience while touring, particularly in today's challenging music industry climate.

Nash announced her venture into OnlyFans under the cheeky slogan, "Butts for tour buses," indicating that her earnings from the platform will directly support her live shows, which she claims often generate losses instead of profits. "Touring makes losses, not profits," she explained, referencing her experience as she kicks off her UK tour after completing a three-week run in the U.S.

The musician expressed her desire to empower herself and other women by taking control of her body and art. "I want to highlight that, and I want people to talk about it, and I want people to know the truth about what's happening in the music industry," she said. Nash emphasized her unwillingness to compromise on the quality of her performances despite the financial pressures, noting that reducing wages for her crew or traveling under unsafe conditions is not an option.

Continuing with her empowering message, Nash mentioned the significance of women taking charge of their own narratives in today's society. Her OnlyFans posts, while revealing, maintain a playful rather than explicit nature. "I think the arse is the perfect combination of comedy and sexuality," she joked, adding that she’s always enjoyed sharing playful content featuring her body.

Echoing sentiments expressed by fellow artists like Lily Allen, who recently shared that she earns more from selling pictures on OnlyFans than from her music streaming, Nash highlighted broader industry issues. She pointed out that many musicians have not seen an increase in their fees despite ongoing spikes in ticket prices, making it increasingly difficult for working-class artists to thrive.

"The majority are losing money," Nash lamented, noting that while entertainment corporations thrive, regular artists struggle to make ends meet. She stressed that the music industry needs to learn from sex workers who have successfully monetized their services online, suggesting that musicians must take back some control over their artistic value and revenue.

As artist cancellations and tour cutbacks become more common due to rising costs, Nash's approach raises crucial questions about the sustainability of traditional touring models within the music industry. With ticket sales soaring while artists' earnings stagnate, the spotlight is increasingly on how musicians can adapt in order to survive and thrive financially.