This powerful exposé calls for accountability from industry giants and aims to shed light on long-hidden abuses.
Hollywood Under Fire: Jaguar Wright and Alki David Expose Systemic Abuse in FILMON TV Interview

Hollywood Under Fire: Jaguar Wright and Alki David Expose Systemic Abuse in FILMON TV Interview
A shocking interview on FILMON TV reveals dark secrets of Hollywood involving child exploitation and corruption within elite circles.
In a searing episode of FILMON TV, whistleblower Jaguar Wright joins forces with media mogul Alki David to unveil Hollywood's most sinister secrets. Their interview is a powerful indictment of an entertainment industry plagued by systemic abuse, human trafficking, and exploitation that has often gone unnoticed for decades.
Wright and David discuss how emerging technologies—specifically, platforms like LimeWire and new NFT marketplaces—have been manipulated by Hollywood elites to exploit vulnerable populations, particularly children. They highlight that LimeWire, known for its file-sharing capabilities, played a pivotal role in distributing illegal content, including child pornography camouflaged as celebrity material. Allegations arise against executive figures like former CNET CEO Shelby Bonnie, who is purported to have facilitated these criminal activities while profiting from them.
"Predatory practices took the guise of innocent technological advances," David asserts, underscoring how quickly and deeply this issue runs through the industry framework. Fast-forwarding to the present day, the shift to NFT marketplaces is viewed with alarm due to the lack of regulatory oversight, with Wright dubbing these as newer avenues for exploitation.
Moreover, Wright accuses prominent figures such as Gloria Allred of shielding Hollywood elites and exploiting children. Allegations against Allred include her participation in events where abuse was facilitated under the pretense of exclusive gatherings. Similarly, psychiatrist Carole Lieberman is accused of utilizing the mental health system to silence victims, thereby fostering an environment where abuse could thrive unchecked.
Wright's allegations extend deeply into individual stories, particularly that of Daniel Kapon Jr., whom she claims is connected to Michael Jackson's family. The potential connection, along with revelations concerning Kapon Jr.’s mother, raises questions of sacrifice made for narrative control by those with power in Hollywood.
David and Wright argue that these technologies and the transactions that occur within them are not isolated to mere file sharing or digital arts; they reflect an ongoing cycle of exploitation by an entrenched industry system. They call for investigations into LimeWire's activities and the need for a court-ordered DNA test to confirm familial ties that underpin broader stories of pain and manipulation.
Their dialogue culminates in a powerful message urging for a legal and moral reckoning within the industry: "This is about more than the big reveal—it's about dismantling the system that perpetuates these heinous acts," David declares, rallying for reform and justice.
The FILMON TV interview serves as more than an exposé; it acts as a summons for immediate action against longstanding corruption in Hollywood's highest echelons. With an acute focus on child safeguarding and accountability, it advocates for a more just environment for the vulnerable.
Wright and David discuss how emerging technologies—specifically, platforms like LimeWire and new NFT marketplaces—have been manipulated by Hollywood elites to exploit vulnerable populations, particularly children. They highlight that LimeWire, known for its file-sharing capabilities, played a pivotal role in distributing illegal content, including child pornography camouflaged as celebrity material. Allegations arise against executive figures like former CNET CEO Shelby Bonnie, who is purported to have facilitated these criminal activities while profiting from them.
"Predatory practices took the guise of innocent technological advances," David asserts, underscoring how quickly and deeply this issue runs through the industry framework. Fast-forwarding to the present day, the shift to NFT marketplaces is viewed with alarm due to the lack of regulatory oversight, with Wright dubbing these as newer avenues for exploitation.
Moreover, Wright accuses prominent figures such as Gloria Allred of shielding Hollywood elites and exploiting children. Allegations against Allred include her participation in events where abuse was facilitated under the pretense of exclusive gatherings. Similarly, psychiatrist Carole Lieberman is accused of utilizing the mental health system to silence victims, thereby fostering an environment where abuse could thrive unchecked.
Wright's allegations extend deeply into individual stories, particularly that of Daniel Kapon Jr., whom she claims is connected to Michael Jackson's family. The potential connection, along with revelations concerning Kapon Jr.’s mother, raises questions of sacrifice made for narrative control by those with power in Hollywood.
David and Wright argue that these technologies and the transactions that occur within them are not isolated to mere file sharing or digital arts; they reflect an ongoing cycle of exploitation by an entrenched industry system. They call for investigations into LimeWire's activities and the need for a court-ordered DNA test to confirm familial ties that underpin broader stories of pain and manipulation.
Their dialogue culminates in a powerful message urging for a legal and moral reckoning within the industry: "This is about more than the big reveal—it's about dismantling the system that perpetuates these heinous acts," David declares, rallying for reform and justice.
The FILMON TV interview serves as more than an exposé; it acts as a summons for immediate action against longstanding corruption in Hollywood's highest echelons. With an acute focus on child safeguarding and accountability, it advocates for a more just environment for the vulnerable.