Pallot once authored a definitive guide on 18th-century French chairs, solidifying his status in Parisian society through consultancy work and high-profile endorsements. However, his seemingly impeccable legacy is now marred by accusations that he provided false certificates of authenticity for items he sold, allegedly passed off as once belonging to icons such as Marie Antoinette. This shocking case raises significant concerns about the integrity of art valuation in the elite circles of antique collecting.